Superhero TV has always been a mixed bag affair. Whilst I will never hear bad things said about Lois and Clark (H.G. Wells builds a time machine to get Superman to help him catch Jack the Ripper.....brilliant!) or the old 90's Flash (oddly enough, the Trickster in that is one of Mark Hamill's best moments, including The Joker), I will agree that in live action, Superhero TV often has trouble taking the stranger concepts of comic's unlimited visual budget and realising them onto the big screen.
As word of warning my dear reader, if you have not been watching The Flash, or are behind on the episodes, it may be a good idea to stay away from this article.
Superhero TV has always been a mixed bag affair. Whilst I will never hear bad things said about Lois and Clark (H.G. Wells builds a time machine to get Superman to help him catch Jack the Ripper.....brilliant!) or the old 90's Flash (oddly enough, the Trickster in that is one of Mark Hamill's best moments, including The Joker), I will agree that in live action, Superhero TV often has trouble taking the stranger concepts of comic's unlimited visual budget and realising them onto the big screen.
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And so season one of the CW’s superhero spinoff The Flash ends as it began, with a man in a silly red costume running around a big swirly thing. Is this a symbolic example of a show being flushed down the terrible drain from where no quality can emerge? Not even remotely. The Flash has been one of the single most enjoyable shows of recent years, achieving greater heights in its one year than other shows manage in ten.
Note to the readers: The best laid plans of mice and men. As you might remember, I provided a list of upcoming articles at the end of my first post. Unfortunately real life limitations means I can’t give the time I’d like to researching some of these topics. So instead of abandoning thing, I’ve said “screw it” and decided to provide what I can. So expect some surprises with upcoming articles…even I might not know what they are yet. The Pitfalls Of The Franchise Comic: “Gritty” reboots – A feline case study
The basic concept of a franchise comic is pretty simple. You adapt an existing concept into a comic format and market it to people interest in said concept. What could be simpler? Well if it was so simple, adaptations wouldn’t have the reputation they do. See it turns out that in order to succeed a franchise comic has to dodge a veritable minefield of common problems which range from the marketing to the creative team. So in the second of our little series of articles I thought it’d be fun to check out some of my all-time favourite common pitfalls the franchise comic has to try (and frequently fail at) avoiding. |
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